Two stained glass objects are carried through the gallery and placed inside separate glass rooms, changing what the audience can hear as the performance moves through the building. The performer eventually enters a frosted glass cabinet, where the body can only be encountered as a shifting image. The work closes by switching the rooms off one by one. After movement disappears, an archival recording from the Mineshaft in New York in 1985 is played on the performer's phone and left in the remaining space.